FAQs – Page 2 – Kanjian

Q: What makes Kanjian a good choice for neighboring rights collection in China?

Kanjian stands out as a preferred partner for neighboring rights collection in China due to our long-standing relationships with local authorities and a deep understanding of the Chinese music market. With over a decade of experience connecting international rightsholders with the Chinese music market, and our expertise in local legal and regulatory frameworks enables us to navigate and manage your rights effectively. Moreover, our integrated music licensing automation infrastructure ensures transparency and provides detailed reports, giving rightsholders control over their music's performance and earnings.

Q: What types of revenue can I expect from neighboring rights collections?

Partnering with Kanjian for neighboring rights collections allows you to generate revenue from two primary sources: Performance Royalties: Collected from venues like bars, clubs, radio stations, and TV broadcasters that play your music publicly. Mechanical Royalties: Derived from the use of your recordings in various media that require reproduction, such as TV shows and movies.

Q: How does Kanjian collect neighboring rights royalties in China?

We collect neighboring rights royalties in China by collaborating with CAVCA(China Audio-Video Copyright Association) directly. We assist in the administrative processes required to claim mechanical and performance royalties for sound recordings ensuring you are fully compensated for every penny you are owed. This process includes gathering necessary metadata like artist names, track titles, ISRC codes, ownership percentages, and audio files.

Q: Which territories does Kanjian manage neighboring rights?

Kanjian manages neighboring rights in China.

Q: Can I provide music that includes covers and remixes for the Music Library?

Yes, we accept covers and remixes, provided that the necessary rights and licenses are in place. However, specific restrictions or requirements may apply depending on the intended use and distribution channels.

Q: How does Kanjian promote music in the Music Library for sync opportunities?

Kanjian promotes music in the Music Library for sync opportunities through various methods: Direct pitching and sales meetings with TV/film companies, ad agencies, and other potential licensees. Utilization of online platforms such as Coolvox (Kanjian's sync licensing platform) and clientships with other stock music libraries. Playlists curated for sync opportunities. Newsletters targeting industry professionals. Campaigns on social media platforms and DSPs (Digital Service Providers).

Q: What is the process for clearing music for the Music Library?

We aim to clear sync licenses efficiently, often securing approvals within 24-72 hours for pre-approved agreements. For more complex deals or situations involving multiple rightsholders, we work closely with clients to facilitate the clearance process.

Q: How does Kanjian handle sync licenses for the Music Library?

Kanjian actively secures sync licenses by directly pitching your music for various media projects, including films, TV shows, commercials, and games. We maintain a policy of obtaining your approval for significant opportunities, ensuring transparency and collaboration in every deal.

Q: How often are royalties reported and paid for Music Library placements?

We report and pay royalties on a quarterly basis. Royalty payments are made within 30 days after the invoice is submitted by the client, following the delivery of the royalty statement. This setup helps ensure that you have regular and timely updates on your earnings.

Q: How can I track the performance and earnings from the Music Library sales?

We provide all our clients with access to a dashboard where you can monitor the usage of your tracks, track earnings in real-time, and view detailed analytics about where and how your music is being utilized. This transparency allows you to see exactly what you’re earning and how your music is performing across different platforms.

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What makes Kanjian a good choice for neighboring rights collection in China?

What types of revenue can I expect from neighboring rights collections?

How does Kanjian collect neighboring rights royalties in China?

Which territories does Kanjian manage neighboring rights?

Can I provide music that includes covers and remixes for the Music Library?

How does Kanjian promote music in the Music Library for sync opportunities?

What is the process for clearing music for the Music Library?

How does Kanjian handle sync licenses for the Music Library?

How often are royalties reported and paid for Music Library placements?

How can I track the performance and earnings from the Music Library sales?

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